International Library of African Music Photographic Collection

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           Preserving African Music

 

The International Library of African Music (ILAM) is primarily an audio archive, but the photographs in this collection add another dimension to its story. Beginning in 1929, Hugh Tracey embarked on expeditions into remote parts of Africa, documenting traditional musicians out of concern that the growing influence of Western culture would overshadow and erase the unwritten musical heritage of African communities. As a pioneer in the movement for “Africans telling Africa’s story,” his recordings now constitute the most extensive archive of indigenous African music. 

 

A Ndau man playing a Chizambi friction mouth bow being recorded by Hugh Tracey. The musician rubs the rattle stick along the notches in the arched part of the bow. The bow string, made of palm leaf, is resonated in the mouth.

 

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Nyanga panpipe player at Matambo, Mozambique

 

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Jane Notinki Mdyogolo playing the uhadi bow

 

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View of the Shembe service. In the foreground are the men and boys; in the middle distance are married women distinguished by their red head- dresses. On the far side are unmarried girls each with a white cloth over the head

 

Nairobi Streets

 

Batwa pygmies listening to a playback of a recording by Hugh Tracey.        

 

 

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